Henry Louis Gates, Jr., gives us a sumptuously illustrated, landmark book tracing African American history from the arrival of the conquistadors to the election of Barack Obama. Informed by the latest, sometimes provocative scholarship, and including more than eight hundred images--ancient maps, art, documents, photographs, cartoons, posters--Life Upon These Shores focuses on defining events, debates, and controversies, as well as the achievements of people famous and obscure. Gates takes us from the sixteenth century through the ordeal of slavery, from the Civil War and Reconstruction through the Jim Crow era and the Great Migration; from the civil rights and black nationalist movements through the age of hip-hop on to the Joshua generation. By documenting and illuminating the sheer diversity of African American involvement in American history, society, politics, and culture, Gates bracingly disabuses us of the presumption of a single "Black Experience." Life Upon These Shores is a book of major importance, a breathtaking tour de force of the historical imagination.
In this book the author traces the black freedom struggle in all its diversity, from the first years of freedom during the Civil War to President Obama's inauguration. As it moves from popular culture to high politics, from the Deep South to New England, the West Coast, and abroad, he weaves stories of ordinary black people, as well as celebrated figures, into the sweep of racial protest and social change. The drama unfolds from an armed march of longshoremen in post Civil War Baltimore to Booker T. Washington's founding of Tuskegee Institute; from the race riots following Jack Johnson's "fight of the century" to Rosa Parks' refusal to move to the back of a Montgomery bus; and from the rise of hip hop to the journey of a black Louisiana grandmother to plead with the Tokyo directors of a multinational company to stop the dumping of toxic waste near her home. This work rejects the traditional narrative that identifies the Southern non-violent civil rights movement as the focal point of the black freedom struggle. Instead, it explores the dynamic relationships between those seeking new freedoms and those looking to preserve racial hierarchies, and between grassroots activists and national leaders. As the author shows, strategies were ultimately contingent on the power of activists to protest amidst shifting economic and political circumstances in the U.S. and abroad. This book captures an extraordinary journey that speaks to all Americans, both past and future.
This introduction to the civil rights movement synthesizes its history, explaining its origins, development and results as well as historiographical debates. Mark Newman outlines the range of white responses to the movement and analyses both northern and southern opinion. He examines the role of the federal government, the church and organized labor, as well as assessing the impact of the Cold War. The book discusses local, regional, and national civil rights campaigns; the utility of non-violent direct action; and the resurgence of black nationalism. And it explains the development, achievement and disintegration of the national civil rights coalition, the role of Martin Luther King Jr and the contribution of many otherwise ordinary men and women to the movement. The insufficiently appreciated National Association for the Advancement of Colored People receives particular attention. In detailing the struggle between the 1930s and 1980s, Newman widens the movement's traditional chronology, offering readers a broad-ranging history.
The Making of Black Lives Matter presents a condensed and accessible intellectual history that traces the genesis of the ideas that have built into the #BlackLivesMatter movement. Drawing on the work of revolutionary black public intellectuals, including Frederick Douglass, Ida B. Wells, Langston Hughes, Zora Neal Hurston, Anna Julia Cooper, Audre Lorde, James Baldwin, and Martin Luther King Jr., Lebron clarifies what it means to assert that "Black Lives Matter" when faced with contemporary instances of anti-black law enforcement. He also illuminates the crucial difference between the problem signaled by the social media hashtag and how we think that we ought to address the problem. As Lebron states, police body cameras, or even the exhortation for civil rights mean nothing in the absence of equality and dignity. To upset dominant practices of abuse, oppression and disregard, we must reach instead for radical sensibility. Radical sensibility requires that we become cognizant of the history of black thought and activism in order to make sense of the emotions, demands, and arguments of present-day activists and public thinkers. Only in this way can we truly embrace and pursue the idea of racial progress in America.
Includes eleven sermons of Dr. Martin Luther King, Jr., with "eleven important introductions by renowned ministers and theologians of our time; Reverend Billy Graham, Archbishop Desmond Tutu, and Bishop T.D. Jakes, among others."
The history of America's civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete history. Graphic Memories of the Civil Rights Movement showcases five vivid examples of this: Ho Che Anderson's King (2005), which complicates the standard biography of Martin Luther King Jr.; Congressman John Lewis's three-volume memoir, March (2013-2016); Darkroom (2012), by Lila Quintero Weaver, in which the author recalls her Argentinian father's participation in the movement and her childhood as an immigrant in the South; the bestseller The Silence of Our Friends by Mark Long, Jim Demonakos, and Nate Powell (2012), set in Houston's Third Ward in 1967; and Howard Cruse's Stuck Rubber Baby (1995), whose protagonist is a closeted gay man involved in the movement. In choosing these five works, Jorge Santos also explores how this medium allows readers to participate in collective memory making, and what the books reveal about the process by which history is (re)told, (re)produced, and (re)narrativized. Concluding the work is Santos's interview with Ho Che Anderson.
Maya Angelou's third poetry collection, a unique celebration of life, consists of rhythms of strength, love, and remembrance, songs of the street, and lyrics of the heart.
Activist and scholar Keeanga-Yamahtta Taylor surveys the historical and contemporary ravages of racism and persistence of structural inequality such as mass incarceration and Black unemployment. In this context, she argues that this new struggle against police violence holds the potential to reignite a broader push for Black liberation.