LibGuides: Black History Month: On the Web

eBooks

Making Black History: The Color Line, Culture, and Race in the Age of Jim Crow

Making Black History focuses on the engine behind the early black history movement in the Jim Crow era, Carter G. Woodson and his Association for the Study of Negro Life and History.

Black History: More than Just a Month

Some of the most interesting people and events of the past often get bypassed in a classroom. This includes a large number of African-Americans who helped build this country. Black History: More Than Just A Month pays tribute to these forgotten individuals and their accomplishments.

Black Against Empire: The History and Politics of the Black Panther Party

In Oakland, California, in 1966, community college students Bobby Seale and Huey Newton armed themselves, began patrolling the police, and promised to prevent police brutality. Unlike the Civil Rights Movement that called for full citizenship rights for blacks within the U.S., the Black Panther Party rejected the legitimacy of the U.S. government and positioned itself as part of a global struggle against American imperialism. In the face of intense repression, the Party flourished, becoming the center of a revolutionary movement with offices in 68 U.S. cities and powerful allies around the world. Black Against Empire is the first comprehensive overview and analysis of the history and politics of the Black Panther Party. The authors analyze key political questions, such as why so many young black people across the country risked their lives for the revolution, why the Party grew most rapidly during the height of repression, and why allies abandoned the Party at its peak of influence. Bold, engrossing, and richly detailed, this book cuts through the mythology and obfuscation, revealing the political dynamics that drove the explosive growth of this revolutionary movement, and its disastrous unraveling. Informed by twelve years of meticulous archival research, as well as familiarity with most of the former Party leadership and many rank-and-file members, this book is the definitive history of one of the greatest challenges ever posed to American state power.

Cover of 'Black Public History in Chicago'.

Black Public History in Chicago: Civil Rights Activism from World War II into the Cold War

In civil-rights-era Chicago, a dedicated group of black activists, educators, and organizations employed black public history as more than cultural activism. Their work and vision energized a black public history movement that promoted political progress in the crucial time between World War II and the onset of the Cold War. Ian Rocksborough-Smith's meticulous research and adept storytelling provide the first in-depth look at how these committed individuals leveraged Chicago's black public history. Their goal: to engage with the struggle for racial equality. Rocksborough-Smith shows teachers working to advance curriculum reform in public schools, while well-known activists Margaret and Charles Burroughs pushed for greater recognition of black history by founding the DuSable Museum of African American History. Organizations like the Afro-American Heritage Association, meanwhile, used black public history work to connect radical politics and nationalism. Together, these people and their projects advanced important ideas about race, citizenship, education, and intellectual labor that paralleled the shifting terrain of mid-twentieth century civil rights.

Blood, Sweat, and Tears: Jake Gaither, Florida A&M, and the History of Black College Football

Black college football began during the nadir of African American life after the Civil War. The first game occurred in 1892, a little less than four years before the Supreme Court ruled segregation legal in Plessy v. Ferguson. In spite of Jim Crow segregation, Black colleges produced some of the best football programs in the country. They mentored young men who became teachers, preachers, lawyers, and doctors--not to mention many other professions--and transformed Black communities. But when higher education was integrated, the programs faced existential challenges as predominately white institutions steadily set about recruiting their student athletes and hiring their coaches.Blood, Sweat, and Tears explores the legacy of Black college football, with Florida A&M's Jake Gaither as its central character, one of the most successful coaches in its history. A paradoxical figure, Gaither led one of the most respected Black college football programs, yet many questioned his loyalties during the height of the civil rights movement. Among the first broad-based histories of Black college athletics, Derrick E. White's sweeping story complicates the heroic narrative of integration and grapples with the complexities and contradictions of one of the most important sources of Black pride in the twentieth century.

Remaking Black Power: How Black Women Transformed an Era

In this comprehensive history, Ashley D. Farmer examines black women's political, social, and cultural engagement with Black Power ideals and organizations. Complicating the assumption that sexism relegated black women to the margins of the movement, Farmer demonstrates how female activists fought for more inclusive understandings of Black Power and social justice by developing new ideas about black womanhood. This compelling book shows how the new tropes of womanhood that they created--the "Militant Black Domestic," the "Revolutionary Black Woman," and the "Third World Woman," for instance--spurred debate among activists over the importance of women and gender to Black Power organizing, causing many of the era's organizations and leaders to critique patriarchy and support gender equality. Making use of a vast and untapped array of black women's artwork, political cartoons, manifestos, and political essays that they produced as members of groups such as the Black Panther Party and the Congress of African People, Farmer reveals how black women activists reimagined black womanhood, challenged sexism, and redefined the meaning of race, gender, and identity in American life.

The Black Seminoles: HIstory of a Freedom-Seeking People

This Story of a remarkable people, the Black Seminoles, and their charismatic leader, Chief John Horse, chronicles their heroic struggle for freedom. Beginning with the early 1800s, small groups of fugitive slaves living in Florida joined the Seminole Indians (an association that thrived for decades on reciprocal respect and affection). Kenneth Porter traces their fortunes and exploits as they moved across the country and attempted to live first beyond the law, then as loyal servants of it. He examines the Black Seminole role in the bloody Second Seminole War, when John Horse and his men distinguished themselves as fierce warriors, and their forced removal to the Oklahoma Indian Territory in the 1840s, where John's leadership ability emerged. The account includes the Black Seminole exodus in the 1850s to Mexico, their service as border troops for the Mexican government, and their return to Texas in the 1870s, where many of the men scouted for the U.S. Army. A powerful and stirring story, The Black Seminoles will appeal especially to readers interested in black history, Indian history, Florida history, and U.S. military history.

The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop

Bud Powell was not only one of the greatest bebop pianists of all time, he stands as one of the twentieth century’s most dynamic and fiercely adventurous musical minds. His expansive musicianship, riveting performances, and inventive compositions expanded the bebop idiom and pushed jazz musicians of all stripes to higher standards of performance. Yet Powell remains one of American music’s most misunderstood figures, and the story of his exceptional talent is often overshadowed by his history of alcohol abuse, mental instability, and brutalization at the hands of white authorities. In this first extended study of the social significance of Powell’s place in the American musical landscape, Guthrie P. Ramsey, Jr. shows how the pianist expanded his own artistic horizons and moved his chosen idiom into new realms. Illuminating and multi-layered, The Amazing Bud Powell centralizes Powell’s contributions as it details the collision of two vibrant political economies: the discourses of art and the practice of blackness.

From Storefront to Monument: Tracing the Public History of the Black Museum Movement

Today well over two hundred museums focusing on African American history and culture can be found throughout the United States and Canada. Many of these institutions trace their roots to the 1960s and 1970s, when the struggle for racial equality inspired a movement within the black community to make the history and culture of African America more “public.” This book tells the story of four of these groundbreaking museums: the DuSable Museum of African American History in Chicago (founded in 1961); the International Afro-American Museum in Detroit (1965); the Anacostia Neighborhood Museum in Washington, D.C. (1967); and the African American Museum of Philadelphia (1976). Andrea A. Burns shows how the founders of these institutions, many of whom had ties to the Black Power movement, sought to provide African Americans with a meaningful alternative to the misrepresentation or utter neglect of black history found in standard textbooks and most public history sites. Through the recovery and interpretation of artifacts, documents, and stories drawn from African American experience, they encouraged the embrace of a distinctly black identity and promoted new methods of interaction between the museum and the local community. Over time, the black museum movement induced mainstream institutions to integrate African American history and culture into their own exhibits and educational programs. This often controversial process has culminated in the creation of a National Museum of African American History and Culture, now scheduled to open in the nation’s capital in 2015.

After the Rebellion: Black Youth, Social Movement Activism, and the Post-Civil Rights Generation

What happened to Black youth in the post-civil rights generation? What kind of causes did they rally around and were they even rallying in the first place? After the Rebellion takes a close look at a variety of key civil rights groups across the country over the last 40 years to provide a broad view of Black youth and social movement activism. Based on both research from a diverse collection of archives and interviews with youth activists, advocates, and grassroots organizers, this book examines popular mobilization among the generation of activists principally Black students, youth, and young adults who came of age after the passage of the 1964 Civil Rights Act and the Voting Rights Act of 1965. Franklin argues that the political environment in the post-Civil Rights era, along with constraints on social activism, made it particularly difficult for young Black activists to start and sustain popular mobilization campaigns. Building on case studies from around the country including New York, the Carolinas, California, Louisiana, and Baltimore After the Rebellion explores the inner workings and end results of activist groups such as the Southern Negro Youth Congress, Student Nonviolent Coordinating Committee, the Student Organization for Black Unity, the Free South Africa Campaign, the New Haven Youth Movement, the Black Student Leadership Network, the Juvenile Justice Reform Movement, and the AFL-CIOs Union Summer campaign. Franklin demonstrates how youth-based movements and intergenerational campaigns have attempted to circumvent modern constraints, providing insight into how the very inner workings of these organizations have and have not been effective in creating change and involving youth. A powerful work of both historical and political analysis, After the Rebellion provides a vivid explanation of what happened to the militant impulse of young people since the demobilization of the civil rights and Black power movements a discussion with great implications for the study of generational politics, racial and Black politics, and social movements.

Cover of 'SOS - Calling All Black People'.

SOS - Calling All Black People: A Black Arts Movement Reader

This volume brings together a broad range of key writings from the Black Arts Movement of the 1960s and 1970s, among the most significant cultural movements in American history. The aesthetic counterpart of the Black Power movement, it burst onto the scene in the form of artists' circles, writers' workshops, drama groups, dance troupes, new publishing ventures, bookstores, and cultural centers and had a presence in practically every community and college campus with an appreciable African American population. Black Arts activists extended its reach even further through magazines such as Ebony and Jet, on television shows such as Soul! and Like It Is, and on radio programs. Many of the movement's leading artists, including Ed Bullins, Nikki Giovanni, Woodie King, Haki Madhubuti, Sonia Sanchez, Askia Touré, and Val Gray Ward remain artistically productive today. Its influence can also be seen in the work of later artists, from the writers Toni Morrison, John Edgar Wideman, and August Wilson to actors Avery Brooks, Danny Glover, and Samuel L. Jackson, to hip hop artists Mos Def, Talib Kweli, and Chuck D. SOS -- Calling All Black People includes works of fiction, poetry, and drama in addition to critical writings on issues of politics, aesthetics, and gender. It covers topics ranging from the legacy of Malcolm X and the impact of John Coltrane's jazz to the tenets of the Black Panther Party and the music of Motown. The editors have provided a substantial introduction outlining the nature, history, and legacy of the Black Arts Movement as well as the principles by which the anthology was assembled.

The 1619 Project

In 1619, the first twenty people from Africa were abducted from their homes and sold as chattel slaves to white colonists in Virginia. One could argue that this date, de facto, was the true beginning of the modern United States. 401 years later, the monstrous reality and legacy of this founding moment has never been truly addressed, or properly acknowledged, by the white hegemonic culture that still retains the majority of power in the country. During the semester, our group will meet at monthly intervals to discuss the numerous articles, poems and works of art in the 1619 Project. The project comprises an entire issue of the Sunday magazine, along with considerable supplementary material.

Feature Films and Documentaries

W.E.B. Du Bois: A Biography in Four Voices

The long and remarkable life of Dr. William Edward Burghardt (W.E.B) Du Bois (1868-1963) offers unique insights into an eventful century in African American history. Born three years after the end of the Civil War, Du Bois witnessed the imposition of Jim Crow, its defeat by the Civil Rights Movement and the triumph of African independence struggles.

Du Bois was the consummate scholar-activist whose path-breaking works remain among the most significant and articulate ever produced on the subject of race. His contributions and legacy have been so far-reaching, that this, his first film biography, required the collaboration of four prominent African American writers. Wesley Brown, Thulani Davis, Toni Cade Bambara and Amiri Baraka narrate successive periods of Du Bois' life and discuss its impact on their work.

Official Selection at the Toronto International Film Festival. Official Selection at the San Francisco International Film Festival.

I Am Not Your Negro

An Oscar-nominated documentary narrated by Samuel L. Jackson, I AM NOT YOUR NEGRO explores the continued peril America faces from institutionalized racism.
In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends--Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin's death in 1987, he left behind only thirty completed pages of his manuscript.
Now, in his incendiary new documentary, master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin's original words and flood of rich archival material. I AM NOT YOUR NEGRO is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for.

Legacy: The Powerful Voices of Three Generations of African-American Women

An Oscar-nominated portrait of an African-American family that dramatically captures their successes and failures as they struggle to overcome the devastating effects of poverty, welfare, and community violence.

For four generations, the Collins family has depended on welfare and lived in Chicago's Henry Horner Homes, one of the most dangerous housing projects in America. Through the powerful voices of three generations of African-American women, LEGACY tells the story of a mother, two daughters, and a grand daughter who are struggling to break free from poverty, welfare, drug addiction and the violence in their community.

This compelling and uplifting story reveals the complexities of poverty, welfare, drug abuse, and human resilience from an African-American perspective.

Nominee for Best Feature Documentary at the Academy Awards and nominated for the Grand Jury Prize at the Sundance Film Festival.

Zora Neale Hurston: Jump at the Sun

Zora Neale Hurston, path-breaking novelist, pioneering anthropologist and one of the first black women to enter the American literary canon (Their Eyes Were Watching God), established the African American vernacular as one of the most vital, inventive voices in American literature. This definitive film biography, eighteen years in the making, portrays Zora in all her complexity: gifted, flamboyant, and controversial but always fiercely original.

ZORA NEALE HURSTON: JUMP AT THE SUN intersperses insights from leading scholars and rare footage of the rural South (some of it shot by Zora herself) with re-enactments of a revealing 1943 radio interview. Hurston biographer, Cheryl Wall, traces Zora's unique artistic vision back to her childhood in Eatonville, Florida, the first all-black incorporated town in the U.S. There Zora was surrounded by proud, self-sufficient, self-governing black people, deeply immersed in African American folk traditions. Her father, a Baptist preacher, carpenter and three times mayor, reminded Zora every Sunday morning that ordinary black people could be powerful poets. Her mother encouraged her to "jump at de' sun," never to let being black and a woman stand in the way of her dreams.

She Did That: The Passionate Pursuits of Black Women Entrepreneurs

This documentary explores the passionate pursuits of Black women entrepreneurs. SHE DID THAT offers a peek inside the lives of Black women committed to opening doors for future generations.

What's My Name: Muhammad Ali

This two-part HBO Sports documentary event examines the life and times of Muhammad Ali, a transcendent figure in American history and perhaps the most recognized person in the world over the past 50 years. Exploring Ali's challenges, confrontations, comebacks and triumphs through recordings of his own voice, WHAT'S MY NAME: MUHAMMAD ALI paints an intimate portrait of a man who was a beacon of hope for oppressed people around the world and, in his later years, was recognized as a global citizen and a symbol of humanity and understanding.

Directed and executive produced by acclaimed feature-film director Antoine Fuqua (Training Day), WHAT'S MY NAME: MUHAMMAD ALI is the first feature-length HBO production from SpringHill Entertainment, with LeBron James and Maverick Carter (both from HBO's The Shop) also serving as executive producers. Other EPs include Bill Gerber (the recent Oscar(r)-winning hit A Star Is Born) and Glen Zipper (Dogs, HBO's Elvis Presley: The Searcher).

Marshawn Lynch: A History

This documentary explores the silence that nonconformist NFL star Marshawn Lynch deploys as a form of resistance. Culling more than 700 video clips and placing them in dramatic, rapid, and radical juxtaposition, the film is a powerful political parable about the American media-sports complex and its deep complicity with racial oppression.

Official Selection at the Seattle International Film Festival.

Sammy Davis Jr.: I've Gotta Be Me

The first major film documentary to examine the performer's vast career and his journey for identity through the shifting tides of civil rights and racial progress during 20th-century America.

Sammy Davis, Jr., had the kind of career that was indisputably legendary, vast in scope and scale. And yet, his life was complex, complicated and contradictory. Davis strove to achieve the American Dream in a time of racial prejudice and shifting political territory. He was a veteran of increasingly outdated show business traditions and worked tirelessly to stay relevant, even as he frequently found himself bracketed by the bigotry of white America and the distaste of black America.

Official Selection at the Toronto International Film Festival. Winner of a Black Reel Award for Outstanding Independent Documentary.

Anita: Speaking Truth to Power

Against a backdrop of sex, politics, and race, ANITA reveals the intimate story of a woman who spoke truth to power.

An entire country watched as a poised, beautiful African-American woman sat before a Senate committee of 14 white men and with a clear, unwavering voice recounted the repeated acts of sexual harassment she had endured while working with U.S. Supreme Court nominee Clarence Thomas. Anita Hill's graphic testimony was a turning point for gender equality in the U.S. and ignited a political firestorm about sexual harassment and power in the workplace that resonates still today.

Against a backdrop of sex, politics, and race, ANITA reveals the story of a woman who has empowered millions to stand up for equality and justice.

Official Selection at the Sundance Film Festival and the Hot Docs Film Festival.

Cover of 'Standing on My Sister's Shoulders'.

Standing on My Sister's Shoulders: Women of the Civil Rights Movement

In 1965, when three women walked into the US House of Representatives in Washington D.C., they had come a very long way. Neither lawyers nor politicians, they were ordinary women from Mississippi, and descendants of African slaves. They had come to their country's capital seeking civil rights, the first black women to be allowed in the senate chambers in nearly 100 years.

A missing chapter in our nation's record of the Civil Rights movement, this powerful documentary reveals the movement in Mississippi in the 1950's and 60's from the point of view of the courageous women who lived it - and emerged as its grassroots leaders. Their living testimony offers a window into a unique moment when the founders' promise of freedom and justice passed from rhetoric to reality for all Americans.

Winner of Best Documentary at the Pan African Film Festival.

Slavery and the Making of America

A documentary series on the history of American slavery from its beginnings in the British colonies through the years of post-Civil War Reconstruction. Narrated by Oscar-winner Morgan Freeman, SLAVERY AND THE MAKING OF AMERICA examines the integral role slavery played in shaping the new country and challenges the long held notion that it was exclusively a Southern enterprise. The remarkable stories of individual slaves offer fresh perspectives on the slave experience.

Winner of a News & Documentary Emmy Award for Outstanding Historical Programming - Long Form.

King in the Wilderness: The Final Years of Dr. Martin Luther King, Jr.

Illuminating and poignant, the documentary - which is tied to the 50th anniversary of King's death - reveals a conflicted leader whose successes were punctuated in his final years by an onslaught of criticism from both sides of the political spectrum, whether the Black Power movement, who saw his nonviolence as weakness, or President Lyndon B. Johnson, who viewed his anti-Vietnam War speeches as irresponsible.

With compassion and clarity, KING IN THE WILDERNESS unearths a stirring new perspective into Dr. King's character, his radical doctrine of nonviolence, and his internal philosophical struggles prior to his death, inviting a sense of penetrating intimacy and insight into one of the most profound thinkers of our time.